Wednesday, June 30, 2010

Get Your Umami On

A quick lesson in Japanese before we begin. So you got your sweet, your salty, your bitter and your sour. Where exactly on your tongue does, say, a sliver of quivering pork belly make an impression? How about the deep, earthy flavor of your favorite fungi? And what type of tastebud would love a little tickle of tuna?

mmmmm. peacock.

Ding, ding, ding! Umami. The fifth taste sensed by the human tongue and Japanese for "savory," umami represents all those foods that don't quite fit into any other category. In other words, it's the maverick in your mouth.

Luckily for you, dear reader, this weekend marks the second edition of the the Umami Food & Art Festival, which works in partnership with other NYC organizations to foster collaborations between artists and food professionals. (We would like this opportunity to pitch a video project with one Mr. Anthony Bourdain about the sensuality of oysters. Seriously. Call us.)

Our friends at Rooftop Films will be hosting a selection of short films from the Umami Food & Art Festival at the Old American Can Factory and will feature pieces like Miss Lucy, a rumination on feminine domesticity where artist Tami Marks uses her kitchen as a temple and her oven as an altar. There's also Chickpea Masala in 4 Movement by Steve Bradley and Happy Birthday by Natalia Panfile, where the artist sings Happy Birthday in Romanian while cake gets hurled at her body.

We're talking meat poems, deconstructed gefilte fish and ritualized hot dogs. We can't say "yes please" fast enough - our tongues are twitching just thinking about it.

8pm this Saturday. 10 bucks, free popcorn and Radeberger Pilsner. Go and get your umami on.

Sunday, June 27, 2010

How About Them Apples?

Advertising has improved over the years.  More importantly, special effects have improved, and thanks to photoshop, anyone can manipulate any image.  But back in 1910 photo manipulation was a really big deal.  Yet somehow 100 years later, these cards by Edward H. Miller of San Francisco still have us believing that everything is bigger and better out west.





Saturday, June 26, 2010

Take Thee to the Jell-o-ry

Tonight, take yourself on down to the Gowanus Canal for the 2010 GSS Jell-O Mold Competition. It's free. It's from 6-1o. And it's going to be a whole heap of jiggly fun.

This aint your Aunt Lorna's neighborhood Jell-O cook-off. The second annual competition is judged by a serious roster of designers and architects, including Harry Allen of Harry Allen Design, Allan Chochinov of Core 77, food design strategist Elizabeth Thacker Jones, and Becky Stern, Associate Editor of CRAFT and Make. The event is being hosted by the wonderfully wacky Thu Tran, the creator of the kind of creepy Food Party puppetry series available on IFC.

Entries will be evaluated on their creativity, aesthetics, structural ingenuity, culinary appeal, and use of Jell-O as the mendium of construction.

In anticipation of tonight's showcase, here's a re-cap of what played well last year:

The 2009 Grand Prize Winners, with a totally bodacious entry (so cool)
"Jell-O Cocktail Trumpery" by Kandice Levero and Julia Greene


2009 Honorable Mention to a lady after our own hearts, in her admiration of Ms. Miranda
"Carmen Gelatina" by Indu Pillay


The 2009 Runner-up for Creativity, some glistening salmony eggs
"Jell-Roe" by Kegan Fisher and Lynn Kinnmark of Design Glut, inventor of Egg Pants!


Honorable Mention
"Jasper Johns Jell-O Surprise" by Shelly Sabel

Photos by Bryce Ward via Gowanus Studio

Be there or be square.

Monday, June 21, 2010

How Does Lady Gaga Like Her Steak?

Thank you, Buzz Feed

Speaking of Raw Meat...

LA-based artist Victoria Reynolds has created a collection of incredible renderings of raw meat, displayed in ornate found object frames. The Richard Hellery Gallery has the full roster available here. Gaga, you need one.

44 x 29 Inches, Oil on Panel

30 x 18 Inches, Oil on panel

Saturday, June 19, 2010

"Everything You See, I Owe to Spaghetti"

We hereby celebrate the gorgeousness of Sophia Loren, actress, mynx, entrepreneur, heartthrob and heartbreaker. A woman well-known for celebrating her feminity and inevitably enflaming the loins of her mail counterparts, she serves as a beacon to us all.

Sophia's sensualism plays not only into her on-screen performances, but her creation of two cookbooks. The playful 1971 "In Cucina Con Amore" (available in English translation on Amazon) serves as her personal guide to cooking with that special secret ingredient, love.

We adore her sense of humor displayed in the photos in the book, and the personal advice in each recipe.



via Found in Mom's Basement (a delightful vintage image resource)

Koek! wrote a wonderful piece about how Sophia Loren made her fixate on (really, lust after) parmigiana with this seductively love-filled recipe:

Parmigiana

This is a truly magnificent dish, and at the same time an unfathomable mystery to me. Why Parmigiana if this is a dish that is not only as Neapolitan as San Gennaro, but one of the proudest monuments of Naples cuisine? Historical injustice? Involuntary error? Or a conspiracy? In any case here is what it is made of:

Clean and slice some large aubergines, say 2 pounds for 6 people. Each slice should be a little less than a quarter inch thick. Place slices on a large plate, cover with course salt, then cover with another plate and weigh it down with something heavy, so that the slices extrude their bitter juices. After a couple of hours, wash and dry the slices and squeeze them a little, very gently, to get them as dry as possible. Then fry them in plenty of hot olive oil.

Make a sauce with tomatoes (say, under 2 pounds, or slightly less than the weight of the aubergine), peel chop and sieve them; put them in the pan with a pinch of salt and a few basil leaves, but without oil; you only have to wait for a little of the tomato juice to reduce before the sauce starts to thicken. At this point, you put a few spoonfuls of the sauce into an oiled baking dish, then a layer of fried aubergine, then sprinkle with grated Parmesan, then put down a layer of thinly sliced Mozzarella with a few leaves of basil, and a spoonful of beaten egg. Begin all over again with the sauce, the aubergine, the Parmesan, mozzarella, egg, and back to home base, so that you end up with at least three layers of everything. Bake uncovered in a hot oven (425F) for 40 to 50 minutes.

Variations on this dish, which is revered throughout the length and breadth of Italy, included one with the aubergine dipped in egg and flour before frying, so that the taste is more delicate. It can also be made with half aubergine and half courgette, which is more delicate still.

Friday, June 18, 2010

The Pastries of Paris

"The fine arts are five in number, namely: painting, sculpture, poetry, music, and architecture, the principal branch of the latter being pastry."
- Antonin Careme, The Chef of Kings, The King of Chefs

Graphic designer Susan Hochbaum has created a delightful film about the foods and fixtures of France, whose forms so very often resemble one another.



Here is the short film in full... enjoy!

Public Service Announcement

We interrupt our normally scheduled programming to bring you this Important Banana Information!



All details regarding bananas are specified in this helpful guide published in 1926...


Most importantly, we urge you to review this 1973 recipe from McCalls that displays what not to do with bananas...
Ham and Bananas Hollandaise
From McCall’s Great American Recipe Cards

6 medium bananas
¼ cup lemon juice
6 thin slices boiled ham (about ½ pound)
3 tablespoons prepared mustard
2 envelopes hollandaise sauce mix (1¼ oz. size)
¼ cup light cream

Preheat oven to 400 degrees. Lightly butter a shallow 2-quart baking dish.
Peel bananas and sprinkles each with ½ tablespoon lemon juice, to prevent darkening.
Spread ham slices with mustard. Wrap each banana in a slice of ham. Arrange in a single layer in casserole. Bake 10 minutes.

Meanwhile, make sauce: In a small saucepan, combine sauce mix with 1 cup water, 1 tablespoon lemon juice and cream. Heat, stirring, to boiling. Pour over bananas. Bake 5 minutes longer or until slightly golden.. Nice with a green salad for brunch or lunch. Makes 6 servings.

This is a test. This is only a test.

Sorry if you threw up a little bit in your mouth.

"I like to start off my day with a glass of Champagne..."

...I like to wind it up with Champagne, too. To be frank, I also like glass or two in between."

- Chef Fernand Point, the man who famously drank a full Magnum. Every day.


The quote above is taken from Joseph Wechsberg's "The Finest Butter and Lots of Time," published in the September 3, 1949 edition of The New Yorker. The classic piece is romp through France via Fernand Point, chef and owner of the Michelin three star La Pyramide restaurant just outside of Lyon, who served as mentor to Paul Bocuse, Jean and Pierre Troisgros, Alain Chapel, Roger Verge and Michel Guerard, among others.

And the man knew how to party.

He started his day with a shave by the barber
and a glass of Champagne on the garden terrace.

Wechsberg's piece is one of my favorite pieces of food writing ever, and I'm going to excerpt a few sections for your morning's reading pleasure. The full article is available here. I hope you're sipping some bubbly. TGIF.
When I went to France this summer, after an absence of more than a year, I was pleased to find that, for the first time since the end of the war, my Parisian friends had stopped griping about the black market and rationing and were again discussing, passionately and at great length, the heady mysteries of la grand cuisine, which next to women, has always been their favorite topic of conversation in times of content. Once more with the air of brokers divulging something hot in the market, they were confiding to each other the addresses of good restaurants.

The finest restaurant in France, and perhaps anywhere, it was agreed by my always well-informed friends, is not in Paris. If I wanted to have the epicurean experience of my life, they assured me, I would have to go to Vienne, a town of twenty-three thousand inhabitants in the Department of Isere, seventeen miles south of Lyon, at the confluence of the Rhone and Gere rivers. There I would find the Restaurant de la Pyramide and its proprietor, the formidable, the one and only M. Point...

"But it's not a question of whether on not you will go," my friend said. "The question is will M. Point let you eat in his place? He has thrown out American millionaires and French ex-ministers when he didn't feel like serving them... But I think I can help you with an introduction. I have a Britsh friend, M. Piperno, who happened to be among the Allied troops that liberated Vienne, and I'll have him give you a etter that will open all doors for you. Any friend of M. Piperno's is treated royally at Point's. But be sure to call M. Point well in advance to reserve your table. And for heaven's sake, don't think of ordering your meal! You don't order at Point's. He tells you what to eat...

My friends in Paris had urged me to prepare myself for my monumental lunch by eating only extremely light food, and very little of it, during the preceding twenty-four hours, and I was hungry and cross when my overnight train pulled into Vienne early the following morning... "You'd better plan to spend the night," they had said, "No use trying to rush away. You have to relax after a meal at Point's." There were only a few people on the street - pale, stockingless girls who were carrying small lunch boxes, and shabbily dressed men who looked as though they surely had never lunched or dined at Point's...

The rain had stopped and the sun had come out, but even under these favorable conditions the exterior of M. Point's temple for gastronomes presented an unprepossessing appearance... A man in a white jacket approached from the rear of the house, greeted me cheerfully, and took my raincoat and hung it on a hanger in the hall, as is the custom in French homes. I said I wanted to see M. Point, and was ushered into a small, pleasantly furnished salon. The walls were hung with paintings and mirrors, a gold pendulum clock stood on a buffet, and a large glass-topped table sat in the middle of the room. On the table were Champagne glasses and a half-empty magnum of Champagne, and behind it stood a huge man. He must have been six feet three and weighed three hundred pounds. He had a longish, sad face, a vast double chin, a high forehead, dark hair, and melancholy eyes. I couldn't help thinking that one of M. Lecutiez's sybaritic Roman emperors had come to life. He wore a comfortably large suit, and a big bow tie of black silk ornamented with a flowery design, like those the eccentric citizens of Montparnasse and flamboyant Italian tenors wore in the old days.

I introduced myself and we shook hands. I gave him Mr. Piperno's letter. M. Point read it casually and shook hands with me again. "Sit down!" he commanded with a magnificent gesture. "For the next few hours, this house will be your home. I'm delighted you came early. Gives us a chance to talk and drink Champagne. Quiet Veronique!" On a chair beside him, a precisely clipped brown poodle was making hostile noises. "Veronique belongs to the family," he said. "We also have a nine-year-old daughter, Marie-Josette. Enfin!" He filled two Champagne glasses and said, "A votre sante."

[ed note: They go on drinking and talking, and then...]

M. Point led the way out into the hall, around a few corners and down a stairway into a big, brightly lighted cellar with earthen walls... In the center of the room was a table covered with baskets of fresh fruit -- enormous pears, Calville apples, lush peaches, and aromatic fraises de bois. A roster of the wines in the cellar hung on one wall. It listed 219 names, in foor columns. Glancing at random down the second column I saw Richebourg '42, Romanee-Conti '35, Corton Charlemagne '38, Les Grand Echezaux '42, Hermitage '98, Romanee-Contee '43, La Tache '43, Hermitage la Cour Blanche '06, Vosne-Romanee '93, Corton Charlemagne '42, :a Tache '37, Romanee St. Vivant '40, Pouilly '40, Montrachet '29, Richebourg '29, Chambolle Musigny '21, Hermitage Blanc '70, Marc de Bourgogne '29 and Vire Chapitre '26. "What a mess!" said M. Point, "We've always had them mixed up -- don't know why. Anyway, it's not a bad selection. We have all the great vintage years of Chateau d'Yquem, back to 1908, and a lot of fine years of chateau Margaux and Chateau Lafite Rothschild. You can see we're crowded in here. I had to rent a place down the street for Pierre to keep his Champagnes in... Let's go up to the kitchen and give some thought to your lunch."

Thursday, June 17, 2010

Kitchen Ink Indeed


just in case you forget...

It's no secret that the ladies of Gastronomista love themselves a beautifully inked chef. Well, our friends at The Village Voice have caught on with a full-length front page feature of some of our favorite local ink-avores. Can you guess which tat belongs to executive chef Chris Leahy of BLT Prime? Or which lovely lady chef has "Grown In Oregon" on a body part that rhymes with sass? Whose arm has a crepinette with caul fat wrapped around a piece of meat? Your guess is as good as ours.

Luckily, you don't have to wait in too much suspense. The full piece and slideshow here.


Wednesday, June 16, 2010

Save The Honey Bees!

No one knows exactly why, but honey bees are disappearing at an alarming rate. Haagen-Daazs has launched a campaign to help preserve honey bee colonies. We fully support the program, and especially love this video of the Bee-Boys and DJ Honey.

Tuesday, June 15, 2010

Play With Your Food Coloring

Ok, listen up. Corey Holms is the guy who created the Soprano's gun logo, and he has also designed film posters for American Splendor, Lost in Translation and Where the Wild Things Are. We like his style. The California-based graphic designer is also an accomplished photographer, and we are in love with his series of food dye, vegetable oil and water. The full set is available through his flickr feed.

They're so geological, aren't they? They look like captured images of deep sea currents or mineral rocks.

Pleased to Meet You. Meat to Please You.

You never get a second chance to make a first impression.

That's why you need to get yourself some Meatcards, the world's first beef jerky business cards! What could be more impressive than palming your potential boss with one of these suckers?

The close-up:

For $29.95 you'll get one slab of American made beef jerky with your contact info text etched onto the surface in the shape of 4 business cards.

I wonder if they could make Kobe cards for my upcoming trip to Tokyo.

We Realize It's Before Noon on a Tuesday

Marco Fabiano's gin martini, just the way we like it.


We bring you...

A Drink with Something in It
by Ogden Nash

There is something about a Martini,
A tingle remarkably pleasant;
A yellow, a mellow Martini;
I wish I had one at present.
There is something about a Martini,
Ere the dining and dancing begin,
And to tell you the truth,
It is not the vermouth -
I think that perhaps it's the gin.


This is just how we roll at Gastro HQ.

They Draw and Cook

Take a peek at TheyDrawAndCook, a new site featuring illustrated recipes from artists around the world. Cool stuff.



Sunday, June 13, 2010

They Just Don't Make 'Em Like They Used To

Restaurant matches from the '30s, '40s and '50s, via SMS Noveltiques and Entronica.








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